- by Annette Kuhn
- 8 May 2024
It seems appropriate to start this series with the person who literally wrote the book on cinema memory. Annette Kuhn is Emeritus Professor in Film Studies at Queen Mary University of London. Her most recent book Exploring Cinema Memory (Argyll, 2023) delves deep into the testimonies gathered in Cinema Culture in 1930s Britain, a project that Annette led.
What’s your earliest memory of going to the cinema?
My earliest memory of going to the cinema is of a song called ‘Hi Lily’ – I can hear the music and the words still. A quick look at IMDb indicates that the film must have been Lili (1953) starring Leslie Caron, but I wouldn’t have been aware of any of that at the time. I am pretty sure the cinema was the Commodore in Chiswick.
What’s your most memorable experience at the cinema?
Going to the Academy in Oxford Street to see Ulysses was pretty memorable in a number of ways. It was released in 1967, so I must have seen it that Summer, after my first year at university in Sheffield. I was working during the Summer vacation in the library at the Central Electricity Generating Board HQ near St Pauls and Ulysses, the film, was a topic of conversation among colleagues because the censorship controversy about it was all over the Press.
According to IMDB the BBFC requested 29 cuts (strong language, including the f-word and sexual references)…”in return director Joseph Strick replaced the offending footage with a blank screen and a high-pitched shrieking sound”. The BBFC relented and reinstated the offending footage, passing the film for exhibition to over 18s only. I went to see it with work colleagues.
The part of the film that offended the censors was Molly Bloom’s soliloquy and I do remember seeing that part and can recall a bit of the dialogue. It seemed a bit shocking, I suppose; we joked about it. Like many people, I tried reading the book and didn’t get very far. This will certainly have been the first time I went to the Academy (famous for its very distinctive posters). I believe I saw Spirit of the Beehive (1973) and Lacombe Lucien (1978) – among others – there in later years.
If you could only go to one current cinema for the rest of your life which one would it be?
In London, the Garden Cinema. They very kindly made me a member without my asking, perhaps because I started going there very soon after it opened. My favourite front row seat is always available. They have friendly staff, a nice bar, regular newsletters for members, reasonable ticket prices and an excellent programme of course, sometimes with rarities. It’s also walking distance from my old base in London; I went there to see Past Lives the day before I left my flat.
Now that I no longer have a base in London my favourite is the Ilkley Cinema. Going to see a film is much more of a production when you live in a Yorkshire rural area! Ilkley is about 45 minutes’ drive away from where I live, not easily accessible by public transport and parking when you get there is tricky and expensive. So you treat it as a day out. Ilkley is a pleasant Yorkshire town which boasts a branch of Betty’s tearoom.
The cinema itself is a pleasant place to visit, with two auditoria and the comfiest seats I’ve ever experienced in a cinema. Chintzy sofas with cushions, little tables to rest your food or drink on—served at your seat just before the screening begins. No ads. I only ever get there once or twice a year, e.g. birthday, for a midday screening with a light lunch, say, followed by a stroll around Ilkley and afternoon tea at Bettys. (I get to Lancaster and the Dukes cinema more often as this can be done by train.)
Popcorn? A beer? What are your thoughts on food and drink at the cinema?
Not popcorn and beer, but I am partial to having tea and cake served to me at my favourite front-row seat at Ilkley Cinema.
Is there a cinema that’s now closed you’d love to bring back to life, and if so why?
I would love to experience La Scala in Glasgow city centre exactly as it was in its 1930s heyday. So glamorous, and fondly remembered by a number of people who took part in the 1930s cinemagoing project, including at-seat refreshments service.
Further Exploration
- Exploring Cinema Memory by Annette Kuhn(Thirsty Books, 2023)

About Annette
Annette Kuhn is Emeritus Professor in Film Studies at Queen Mary University of London. She was an editor of the journal Screen for over 30 years and directed the Cinema Culture in 1930s Britain’ project. Publications include An Everyday Magic: Cinema and Cultural Memory (2002); Family Secrets: Acts of Memory and Imagination (2002); Locating Memory: Photographic Acts (2006, co-edited with Kirsten Emiko McAllister); and Exploring Cinema Memory (2023). She is co-author, with Queen Mary colleague Guy Westwell, of the Oxford Dictionary of Film Studies, the second edition of which was published in 2020.
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